Categories
History Uncategorised

CONVERSATION WITH MARIA CARME SIMÓ

MARIA CARME SIMÓ, CAMPESINA ANTE TODO.

And today, on 8th March, our humble tribute to the working woman. We chose a conversation between two women: Sara Pérez, our Sara, and an incredible woman, Maria Carme Simó, from Bellmunt. She is, first of all, a farmer, but she was also president of the CIT (Tourist Initiative Centre), mayor of Bellmunt del Priorat, and president of the Gratallops Cooperative. Determined, with a strong character and full of humility.
The scene: her house, her dining room. The background: the vineyard, the plot. She admits that she likes it, and although now she gets very tired, she still goes there to do the pruning, green pruning, the first fertilisation, the first and the only one (the vine well sprayed, from top to bottom), and then the grapes harvesting.
76 years old, and you can notice her strength and simplicity. She shows tenderness and a great enthusiasm. When we talk about her career, she seems surprised, like she did not choose it, but she did choose it, “because they could have left, but they stayed”. Yes, they were some of those who stayed to work the land, like their grandparents and great-grandparents. Without any female role model, she lost her mother when she was 8 years old. She went on with her life, and she finished working in the fields, like “her father, her uncles and aunts, everyone… the entire family”. And when Sara asks her if she was the only woman, she answers yes, of course. All of them were men, but she was comfortable, so she stayed there, with them, at the top of the hierarchical structures.
The farmer Maria Carme has vines, olive trees, hazel trees, and a couple of almond trees. The task she prefers is pruning, and she does not know why. “I like pruning, even though the vines are old and ugly. (…) Some of them are very ugly. Others are not ugly, they are beautiful and big, like this”. She asks Sara: “You are a technician, (…) Why? Because they had to plant them in a single line…” She tells us that his godfather planted them, and he planted them when he had some money, because they did not go to the bank to find money. But the father did not plant any vine. This means that her vines must be more than 100 years old, but they have never been analysed to be sure of it, logically… She has a vineyard, all the grapes of which are Garnacha, and a very fertile land with a lot of grass in spring: “Every season, there is a different kind of grass. Now, it is blue, now there are small yellow flowers, white flowers, some buds, and finally more yellow and white flowers (…) And I don’t see the vines!”
Sara asks her if there is generational replacement, and she says: “I have my neighbour, a young boy who studied in Falset and Tarragona”. However, she also talks to us about his nephew, who has planted vines, and about other less young people like the boy next to her, who are still young after all. These people have been buying and working estates. In Bellmunt, at least, not so many estates have disappeared.
To talk about the determined Maria Carme, we go back to the old Priorat, where all the farmers were members of the cooperative and “cooperatives were having a difficult time, they didn’t sell the wine (…) and farmers went their own way”, says Maria Carme. A chief executive from Madrid “in times of Franco” thought that Priorat deserved to be considered, and the CIT (Tourist Initiative Centre) was created, a kind of tourism office dedicated to make Priorat known everywhere. It was invited to trade shows around Spain, and Carme was elected president soon after its foundation. She was the president for 25 years. Sara asks her what they promoted, and she, amused, answers “smoke”. Because in Priorat there were not restaurants or accommodation yet. In fact, if the area was known, it was as a wine region, not as a touristic destination. Therefore, “It was something rather advanced for that time, something that maybe didn’t work that much, but…” mentions Sara.
Democracy came, municipal elections for the different councils were held, and Maria Carme was elected mayor of Bellmunt in the first elections. In fact, when Sara asks her “How did you come up with the idea of becoming mayor?” she answers, as expected: “The idea of being mayor didn’t come to my mind”. It came to her by chance, and she could have said no, but she didn’t, and she dared to be mayor in a moment when there were only 7 female mayors in Catalonia.
A bit later, she was elected president of the Gratallops Cooperative. Again, they proposed it to her, it was not her idea. She also accepted this time; she did not think about saying no. She accepted, and she was president in a very difficult moment for cooperatives. We must remind that “farmers went their own way”. In fact, Maria Carme was on the board of the Bellmunt Cooperative, but they decided to distance themselves and leave the regional cooperative, and it was then that she went to the Gratallops Cooperative. The Bellmunt Cooperative did not prosper; as a matter of fact, it disappeared. An intuition? She does not know, but there must be something.
This career gave her recognition for her work and for the fact of being a woman, and as such, she was invited to many events. She talks about gigs that she has always tried to avoid, because “What can I say? What can people say about me?” She has always found excuses to not to go to any event: “A lot of work and many problems”. Sara talks about her being an example, and she admits that maybe she is one, but she adds that “I didn’t ask for it”. She does not remember everything she brought to the cooperative and its way of working. She is aware that she changed things, there was a before and an after. She gives Jaume Ciurana, who was the president of the Catalonia Wine Institute (INCAVI) at that time, credit for the changes. He was a person who loved Priorat and wine, oenologist and from the region, and he wanted to change things: “To sell the wine, things must be done well, and we must take care of the grapes from the moment we plant them until the wine is sold”. They went to the different cooperatives repeating the same speech, and “people listened to them and they thought it was music to their ears”. We need to think that there was no bottling at that time, Escaladei was the only winery that bottled. It was the end of the 1970s and the beginning of the 1980s. She tells us that “they came with your father, René Barbier and all those, because yes, people paid well for the grapes, and many people left the cooperative because they didn’t collect money in the cooperative”. The wine had to be sold, but as Maria Carme’s father said: “People have to sell, but they also have to collect money”.
She did many things as president. First of all, she was advised by the Cooperatives Federation (Federació de Cooperatives), which means that she accepted that she did not know everything. Then, and maybe it is the most important thing, she hired a manager. “Because there must be a manager. A farmer doesn’t need to know or spend the whole day there, because he/she has work to do in the plot, so he/she can’t spend the whole day there, in an office”. Little by little, the cooperative progressed, and “now we collect money every month”. She says it as if it was something important because, in fact, it is.
Maria Carme: “Had it not been for us, this group of people. Neither René Barbier, nor Àlvaro Palacios or Carlos Pastrana would have found anything if the cooperative didn’t exist. Faced with the evidence, farmers had to do things well. People from other places had to come here to make them understand, because the locals didn’t believe them”.
Sara: “This has happened in many places, but it also has something to do with tiredness, with seeing things from the inside, when you have struggled, when you have worked, and you don’t progress. You don’t see it, they tell you, and you don’t see it, you don’t do it. Then, someone does it, and you say: ‘Ah, maybe’. But… right? We need to learn. It is what you say… we don’t know about it…”
Maria Carme: “Then, some visionaries that must have believed us or I don’t know what”.
Sara: “You saw it before, but you had an intuition, because you struggled before anything was evident”.

It is curious that they were not aware of the struggle, of everything they defended and all the work they did to keep…. but it is true that, from the cooperative, a good job was done. From the cooperative, and also from Assumpció Peyra from Escaladei, Magdalena from Masia Barril (the winery did not bottle, but it was present in every trade show to defend wines from Priorat), August from Celler Cecilio, and many other people who believed in Priorat when it was nothing, among whom there was “that chief executive… What was his name? (…) If he saw it, he would be astonished, poor man. Because that man saw it too”.
We ask her if she would have done something in a different way: “No, I don’t think so. Maybe I don’t think too far ahead, and now, even less. Now I think of today, because every day brings me something different,” she says, very convinced.
Sara asks her if she drinks wine, and she tells us: “A little, on Sundays” with the family, with her sisters. She likes it, and she always has two bottles in the kitchen, but she only drinks wine on Sundays. She mainly gives wine, as Jaume Ciurana said and always remembers.
And as expected, Sara must ask about rancio wines: “And rancio wines? Have you ever made any rancio wine?” A barrel of rancio wine that her father started, a rancio wine from white wine (because rancio wines from red wine go bad). “And do you drink that rancio wine?” Sara asks her. “Yes, I like it, with something sweet. I like to drink it when I eat something sweet”. We try it, and we made a toast. Rancio wine with pastries, such a luxury!
Thank you, Maria Carme. It has been a pleasure talking with you and talking about everything you represent.

 

 

Previous slide
Next slide
Categories
History Uncategorised

THE OENOLOGY SCHOOL OF FALSET

THE OENOLOGY SCHOOL OF FALSET

In 1982, when we got permission to offer the advanced/second-degree vocational/professional training (Certificate of Higher Education) in vine growing and oenology, we became fully involved in these studies, and in the following academic year, we had more enrolled students. Besides the boys and girls from the region, and other neighbour regions, many sons and daughters of cava producers from Penedès also came to attend these studies.
First, in order to learn about this speciality as quickly as possible, we went two summers to Bordeaux to talk with professors at the Oenology University and visit the oenological stations. We talked with the specialists of the region and asked them questions in order to understand the scope of this speciality and the parameters that defined it, which were mostly the importance of the quality of the wines and how this quality defined the prices. All this regarding the winemaker, because this is what interested us. We needed to be clear about how we had to work in order to become excellent oenologists and, on this basis, be able to transmit it to the students.

Obviously, we had to stick to the subjects of the program, but I wanted something more, based on the Confucius’s principle “I learn by doing it”. I already applied this principle at the school Viaró, but there the budget was enough to allow the students to have the material, the tools and the equipment to “learn by doing things”. However, at the school of Falset, we had to manage, both students and teachers, because our department’s budget did not have the basic elements to “do”, what was essential to learn.
Once I understood that we could not only rely on the school budget, I decided to look for financial means through the practices that we were going to do during the academic year.

One of the things we did were the research projects (treballs de recerca). The Ministry of Education (Conselleria d’Ensenyament) launched a call for school research projects every year, the CIRIT awards, with cash awards. This was extraordinary because we killed two birds with one stone! When I was teaching and a subject from which we could take an experience was risen, we established it, and it was given to a group of two or three students who were interested in it. This way, every class did different experiences, and the entire class understood them, because the students saw the results. Every year, we submitted three or four experiences, and the ones which were lucky enough to be awarded represented money which helped us to increase the income of the department. We did it for 5 years, and we submitted 15 research projects in total, 7 of which were awarded. These awards were given at the Palau de la Generalitat, and students and teachers went there to accept them. This was very important because the students were well motivated, and as a consequence, the learning process was much more effective.

Another thing we did was daily pruning. The pruning time came, and I thought to take this opportunity for the students to learn how to prune by pruning.
I contacted the owner of a vineyard, and I proposed him to prune his estate with the students, at a reasonable cost. I promised him that I would always be there, teaching the students and supervising their work. He agreed to it, and we did it for a couple of years.

The third activity was to make a wine, bottle it and sell it. This entailed buying the grapes, between the students and the teachers. We proposed it to the parents, and they found it very positive. Therefore, besides the wine-making practice, they would also practise the commercial concept. Taking advantage of the fact that we had grapes, we did different experiences, such as carbonic maceration and sparkling wine experiences, and more.

The students were really motivated, and there was an excellent environment in the classrooms, which made the students learn very well. Using this good atmosphere, we thought that it would be interesting for the students to visit the most important wine-making regions in Europe. And this is what we did, at the end of the academic year and after the exams, we rented a coach with driver, and we were ready to travel around Europe!

We managed to reduce the overall travel costs. We stayed in campsites, which was something much more motivating and informal for the students. Rafel, a cook from Falset, came with us, and he cooked our meals. We took the cooking utensils from the school residence kitchen and we carried provisions for a week.
Montse and I prepared, months before, the visits to different producers and wineries or wine institutes. We did it for 4 years, from 1984 until 1988. Therefore, we visited the regions of Bordeaux, Burgundy, Champagne, the Changins School in Switzerland, the Geisenheim Grape Breeding Institute in Germany, Alsace, the Italian Piedmont, etc.

They were very useful trips, because we made 3 or 4 visits every day, and the students already had some questions written. In the morning, the cook made our breakfast, and he gave us a sandwich for lunch. At the end of the day, we went back to the campsite and the cook made our dinner. After dinner, we sat in a circle and we talked about the visits and the remaining doubts for the following day. Two students had to write a summary of all the visits of the trip to distribute it later to everyone.

Those were very intense years, because I was able to apply the teaching method that I learned from Professor Piaget during my studies in Switzerland. However, when the school began to depend on the Ministry of Education (Conselleria d’Ensenyament), it was all over. We could not buy grapes collectively, to make wine and sell it, we could no longer do many experiences because there was not enough money… Anyway, I will always remember those years like a period when we were able to stimulate all those young people to be trained in order to work for society. Nowadays, most of them are making wine around the regions of Catalonia, and many of them are the ones who make up the group of wine producers of the current Priorat.

José Luis Pérez Ovejero y Montse Ovejero

Mas Martinet

Categories
History Uncategorised

AROUND THE 1980s… THE TWO JAUMES CIURANA

AROUND THE 1980s… THE TWO JAUMES CIURANA  

This year 2021, in August, it will be 40 years since we arrived in Priorat, Montse, Sara, Núria, Adrià and I (Jordi was born some years later). We came from Sant Cugat, from the metropolitan area where we had many possibilities and offers, but we were looking for the warmth of nature. I grew up and lived in the countryside until I was 25 years old, so it was like going back to my roots.

In 1981, I was offered the management of the school known at that time as Sant Pau. The principal was the priest Jaume Ciurana, who was soon to retire and needed a substitute. This priest had promoted a parent association and founded the school. It included primary education from Year 1 to Year 8, and vocational/professional training studies with different specialties.

40 years ago, Falset and Priorat were not what they are now. There were few young people in the towns of the region, and they worked in Reus and Tarragona. Neither grapes, nor hazelnuts or olives were sold at a price which allowed to balance the accounts. And, of course, old people got older, the crops were neglected, and the few remaining young people left the town and went to the city. Schools in small towns were closed because there were not enough children. This is the situation we found when we came here.

The Sant Pau school was an opportunity for teenagers to learn a trade. It offered agricultural, administrative, mechanic, electrical and electronic vocational/professional studies. The priest moved heaven and earth to make the school work. Later, “the other” Jaume Ciurana, who was the president of the Catalonia Wine Institute (INCAVI) at that time, tried to do everything to include the vocational/professional training speciality in vine growing and oenology. This was very interesting for the young people of the region who were sons and daughters of vine growers, but it was also interesting in general because, in Spain, this advanced vocational/professional training speciality didn’t exist, and if you wanted to attend these studies, you had to go to France.

Jaume Ciurana was linked to Falset because his family was from here, and he was interested in promoting the region. He knew the town well. He told me that, if the oenology school was created, it would give prestige to the region of Priorat, which was already known as a classic wine-making region, but wine in bulk. French traders, and some Spanish traders too, bought the wines, mainly to mix them with their own wines, and raise the alcohol level and the intensity of the colour. He said that the school could be used to learn how to make and bottle quality wines, because the grapes already were of excellent quality. This could be a big enrichment for Priorat, and indirectly, for all the Catalan wines. Jaume Ciurana had it clear, but unfortunately, he died early, and he was not able to see what he predicted.

In 1982, with the priest we visited the wine producers (bodegueros) school of Requena, which gave vine growing and oenology contents, but at a first-degree vocational/professional training level, and we were going to start the advanced/second-degree vocational/professional training. I found it very interesting, because this speciality was very suitable for the area, and from the school, we would try to do everything, and more, so that it had a big influence in the region. Actually, this is what happened.

A special building with a wine-making room/cellar, an ageing room/cellar, a laboratory and a tasting room was built, and we started to prepare all the requirements for the beginning of the academic year 83/84. First, we hired an oenologist and an agricultural engineer, because neither Montse nor I knew nothing about this speciality, and we studied a lot. We spent many hours every day studying, we woke up early and we went to sleep late, specially studying oenology.

During the first two years of the school, the two of us taught chemistry and physics to students from all the different specialities: oenologists, administrative assistants, mechanics and electricians. From the third year, we assumed full responsibility for the vine growing and oenology studies, teaching all the contents.

The president of the Catalonia Wine Institute (INCAVI) Jaume Ciurana made an agreement with the school to provide an official wine analysis service, which was accountable to the Oenological Station (l’Estació Enològica) of Reus, and a technical consultancy service in the cooperatives of Terra Alta, Ribera d’Ebre and Priorat. Therefore, the Catalonia Wine Institute (INCAVI), besides making the extension of a new speciality possible, it gave us financial support, contributing with a part of our salaries for our dedication to these services.

A very active period started for us, which we faced with great enthusiasm. We were sure that a new future was being developed, but we did not expect the magnitude it has had, and I would dare to say that the two Jaumes Ciurana planted the seed.

Josep Lluis Pérez
Mas Martinet

Con el reverendo, en el año 1982 visitamos la escuela de bodegueros de Requena, que daba contenidos de viticultura y Enología, pero a nivel de primer grado, y nosotros empezaríamos con el segundo grado. A mí me interesó mucho, ya que era una especialidad muy adecuada para la zona y en la escuela haríamos todo lo posible, y además, para que tuviese una gran influencia en la comarca. Y de hecho, así ha sido.

Se construyó una nace de bodega de elaboración, bodega de crianza, laboratorio, y sala de cata. Y empezó a preparar todos los requisitos para empezar el curso 83/84. Se contrató a un enólogo y un ingeniero agrícola, debido a que Montse y yo no teníamos ni idea de esta especialidad y nos pusimos a estudiar mucho, dedicando muchas horas diarias, levantándonos muy pronto y acostándonos muy tarde. Sobre todo, eestudiando enología.

Durante los dos primeros años de la escuela nosotros dos dábamos química y física a los alumnos de todas las especialidades: enólogos, administrativo, mecánicos y electricistas. A partir del tercer año ya cogimos toda la responsabilidad de viticultura y enología, dando todos los contenidos.

El presidente del INCAVI Jaume Ciurana hizo un convenio con el colegio para dar un servicio de análisis oficiales de vinos, dependiendo de la Estación Enológica de Reus, y una asesoría técnica a las cooperativas de Terra Alta, Ribera d’Ebre y Priorat. Así, INCAVI, además de hacer posible la ampliación de una nueva especialidad, ayudó económicamente, aportando parte de nuestro sueldo, para nuestra dedicación a estos servicios.

Empezó una etapa muy y muy activa por nuestra parte que afrontamos con mucha ilusión, seguros de que se estaba gestando un futuro nuevo, aunque no imaginábamos toda la envergadura que ha cogido. Me atrevería a decir que la semilla la pusieron los dos Jaume’s Ciurana.

Montse Ovejero y Josep Lluis Pérez
Mas Martinet

Categories
History Uncategorised

MN. JAUME CIURANA AND THE SCHOOL

MN. JAUME CIURANA AND THE SCHOOL

Last Monday, we were at Mr. Ignasi Puxeu’s house. He was linked for a long time to the Priorat Teachers Association (Associació Docent Priorat), and from there he witnessed first-hand the birth of the vine growing and oenology school of Priorat, specifically the great task developed by the priest Jaume Ciurana to create it.

We met the priest going to Reus with him in one of his business travels. In that time, there were few cars, he remembered. He introduced us to the priest as a man with a very strong character (…) With his strengths and weaknesses. He had in mind the idea of rising the cultural level of Falset and its region. The priest started providing construction and electricity training courses for the Agriculture and Employment Promotion Board (Patronat de Promoció Agrària i de Treball), where the Music Association (Associació Musical) was, behind the church. In its day, that place was a small and run-down sacristy. Because of the courses, the building was repaired, and it became the current building, even though the Ministerio (Ministry) wanted to demolish it, because the works were considered as part of the students’ internship. Mr. Puxeu told us: “He went to Madrid, in times of Franco, to see a minister, I think it was Torcuato, and he told him: ‘Look, here you have the photos of the building as it was before and as it is now.’ He added: ‘What should we do now? Demolish it?’ And, in the exact words of the priest Ciurana: That minister looked at me, and said: You wear a cassock… I haven’t seen you, and I haven’t received anything they have sent me, so do what you want.

The priest reunited the Association and told them that they needed money and a suitable location, and that they had to organise more courses, reach more people. It was on Boxing Day 1961, and as many as 158 people met (in groups of 20 and in different meetings), people committed to make a Pts5,000 non-refundable payment. They continued to provide courses at the abbey, at the music school… and finally at the secondary school… They looked for a place to locate the school (the first idea was the Castle), but Mr. Miquel Puig Cardona, a good citizen of Falset, actually one of the best, because I have met him commercially and personally, a beautiful person, he said, offered him the current plots: “Don’t worry, Mn. Jaume. There, at the mas (farmhouse)… take the plots you need. Go there and choose. Forget about castles.”

And this is how everything started, a 6.5 million pesetas budget, meetings with the Ministry of Education to apply for subsidies, loans (signed by the members themselves): “The Association, 25 members (one of them was me), signed a 2.5 million loan. It was a big amount at that time… quite a lot of money.”  Everything continued to progress until the Association started to provide vocational agricultural training in the plots in front (which were bought for 500,000 pesetas). It wasn’t successful at the beginning, until the vineyard was planted, and that vocational agricultural training was turned into a vocational vine growing and oenology training. He met with Mr. Carol (Falset councillor for Agriculture), different Agriculture delegates… The Government of Catalonia supported vocational agricultural training, but the Association was clear that they wanted professional training. 

Mr. Jaume Ciurana Galceran, president of the Catalonia Wine Institute (INCAVI) and oenologist (and from Falset), agreed that Falset had to aspire to this and more. Falset was between Tarragona, Terra Alta and Priorat, and there was a strong need to have that kind of professional training in the town. Thanks to him, the school carried on, and it was able to provide this professional training with teachers like Josep Lluis Pérez and his wife, Montse Ovejero. “Because we only talk about Josep Lluis Pérez, but I know Montse Ovejero, in the laboratory and in the classes, even though she was in the shadow, she did a lot of work,” he said.

It was a particularly good period for the school and for Falset. People from different places came to attend these studies. The school was expanded, with a building specially designed for these studies, a place where you could follow the whole wine-making process. Mr. Miquel Puig Cardona also ceded the plots, but the Association needed more loans for the construction. The budget was 20 million: a 5-million subsidy and loans, signed again by the Association. Everything was fine, but…

The University of Tarragona offered a speciality in vine growing and oenology, extending the offer in this field. The Government of Catalonia required the school to offer more vocational/professional training, and the Association and the centre wasn’t able to assume all this.  “The priest was old, he wanted to retire, and I was doing the maths.” Finally, it was time to ask The Ministry of Agriculture to take care of it, but they didn’t want, or they weren’t able to do it… No one knows when politics take part in the game. The Association also asked for help from the Council. And this was the end of it. The school had a great success, but it died because of that success.

Mr. Puxeu noted that the school represented a change for Falset and the region, the economic status of the citizens rose. “Before, there were restaurants where the food was substantial and cheap. Then, the food was expensive, but very good.”

We asked Mr. Puxeu where the priest was from, and he told us that the priest was from Arbeca. The priest had estates there, and he sold them. “At the beginning, he brought some apples from his estates to the school. Then, he sold the estates, and I know he did it for the school.” The priest gave so much for the school, even his salary. He told us that, during the first years of the school, they balanced their budget in this way, because the kindergarten was always loss-making. Then, the salary wasn’t enough, so they asked different ministries for money. Thanks to Jaume Ciurana Galceran, the school received help from many ministries of the Government of Catalonia, and this is something to be thankful for, because there was no money at that time.

He finished smiling and saying: “Luckily, it ended well, because today we have the Institute, which does a good job.”  And there is no need to go to Móra, because the general opinion from the Ministry of Education was that the students from Falset had to go to Móra. This is what the priest and the Association wanted to avoid, and what allowed Falset to have, before and now, its own Institute. “Just do the necessary work and send the students to Móra”.  

Thank you very much for all the work and effort put in.

Categories
Uncategorised

RANCIO CHERRY WINE IN DENMARK

RANCIO CHERRY WINE IN DENMARK.

Frederiksdal Kirsebærvin

The coast of Lolland, an island of Denmark, seems to be an ideal place for cherry growing.

Winter is respectful there and spring comes early, which allows a generous season in which cherries ripen slowly, developing a great complexity of nuances.

In the west end of the island, we can find a castle. When you get there after having crossed half of the country by car with the feeling of going nowhere, this large house projects a feeling of being in a place with a glorious past. Bathed by the special light of northern latitudes, with a deep blue sky and nice green fields, the feeling of surprise leads to a strange familiarity.

For those who grew up with The Adventures of Tintin, the building instantly reminds of Marlinspike Hall or Moulinsart, the castle that Professor Calculus buys at the end of Red Rackham’s Treasure and that becomes his home, sharing it with Captain Haddock. The large country house of Frederiksdal is like the Danish version of Château de Cheverny in the Loire Valley (France), by which Hergé was inspired.

Harald Krabbe, the owner of Frederiksdal, inherited the country house and decided to get involved in order to avoid damage in the building and its land potential. A dreamer and willing person, Krabbe decided to make cherry wine with a northern cherry variety: the Danish Stevnsbær black cherry, which is often referred to as “the Nordic grape”.

It is a cherry that, once ripe, it keeps an extraordinary acidity, as would be expected given those latitudes, and it shows a surprising complexity and potential. The winemaking process is similar to the one used in our wine, although there are some differences in the harvesting and the grape juice production logistics. The wine produced in this winery has a quite high remaining amount of sugar in order to compensate the acidity.

Harald and his partners have been working for years on a line dedicated to rancio cherry wine, which he relates directly to Catalonia (although it is more prestigious in Madeira, Porto, Banyuls or Maury).
It is impressive to see how so many kilometres away from home this concept remains, although Spanishised with the word rancio. Honestly, we should take this into account.

The subtle but evident charm of rancio wine can be perfectly perceived, with its own features given by cherries, which display all their complexity and ripeness. All this thanks to a one-year rest in a group of glass demijohns full of cherry wine that, exposed to day and night (sol i serena), evolves with the sound of the wind and the Baltic Sea waves. The wine stays for another year in 450 liters Cognac barrels before being bottled.

Despite this early ageing, the final result evaluated from rancio wine perspective is quite good. In fact, with the rather exotic surprise involved by the fact of having a cherry wine in our region, I think it is a wine worthy of the best table talks. Find the reference here in case any reader, in a trip to northern Europe, finds a bottle of this wine and is encouraged to take it home with him/her.

Bernat Guixer – Roca Spirit. Celler de Can Roca

Categories
Uncategorised

RANCIO WINE, GOOD WINE

Rancio wine, good wine 

Evolution over time in specific conditions make certain wines age –and someone might rightly say embellish— in an extraordinary way.

Rancio wine is like a hidden treasure from the warmer regions with winemaking tradition.

A wine with brown, muddy, mahogany, bronze colours. Complex, sweet, toasted, dried tobacco, hydrocarbon bouquets with disconcerting acetonic notes at the beginning. Nuts, carob, toasted and bitter flavours, even with umami (“savouriness”) touches. A dense and sometimes rough texture, and a long-standing persistence in the mouth. A wine that requires its time in order to be enjoyed.

As a consumer, the approach to rancio wine can be slow, and it can even produce a certain confusion. In addition to that, there is also the quite pejorative connotation of the adjective rancio, at least nowadays. On one hand, it can initially create a discouraging perspective for the consumer. On the other hand, this name prepares the consumer to deal with a wine that is not common, and which is surely to surprise, where we can find volatile bouquets which might seem hostile at the beginning.

Once the initial barrier is overcome, little by little, a world of complexity and touches opens to us, which makes the person who has the patience of getting in finally appreciate this wine as a loyal and true table talk companion.

Historically, there are different names which make reference to this wine: vi de la bota padrina (“wine from the first barrel”), vi de la bota del racó (“wine from the oldest barrel”), vi bo (“good wine”) or vi de pair (“digestive wine”).

Those names indicate and give an idea of the role that this wine has played at an anthropological level.

Despite the distance from which we see it, we have a very strong link with rancio wine: the cultural factor. It is a cultural factor that we have been close to lose, and that we must not stop developing and taking care of.

Luckily, rancio wine in Catalonia has experienced a revival during the last few years. This rediscovery and appreciation of rancio wine has awaken interest and curiosity in recovering old barrels which were abandoned and almost unprotected in corners of family houses and wineries. In some cases, the lack of generational replacement has suspended a wine or barrels with the history of that family house or winery written on them in winemaking language.

The old barrels recovery work is a major effort that some brave winemakers have given to us. Balancing numbers can be a chimera considering the need to recover old and sometimes dry barrels. In addition, time is an indispensable element in order to incorporate the young wine which refreshes the mother of the barrel, with a hardly quantifiable value.

Luckily, there are many examples of enthusiasts working in Catalonia to bring to the sensitive consumer tables wines which have rested in dark rooms of the wineries in order to accompany the table talks with postres de músic (“nuts desert”), mel i mató (“honey and fresh cheese”), carquinyolis (“dry biscuits”), pastries or doughnuts.

As it happens, the sweet rancio wine that Sara and the Mas Martinet family take care of since more than 20 years ago is a jewel that shows the potential of these wines, and that puts it among the biggest oxidative wines in the world.

They are wine drops condensed over the years, it is the history of a region of the world and the grapes of a past time.

Bernat Guixer – Espiritu Roca. Celler de Can Roca

Categories
Uncategorised

RANCI DOLÇ: THE LABEL

RANCI DOLÇ: THE LABEL

Last Friday, we had the chance to talk with Joan Josep Bertran, “Joanji”. Despite being outside, he is a person who knows us and understands us, sometimes even better than ourselves. He is the father and the mother of the labels of Mas Martinet, the person responsible for our graphic image.


He is the person to ask how it all started, how the label of Ranci Dolç of Martinet was born, and which was its creative process. This is a summary of our talk.


Joan Josep tells us, first of all, about the creative process. For this reason, he sets the starting point in the winery from a new approach consisting in giving “to each piece, each product, each wine produced, a more marked, more specific personality.” In other words, this means “differentiating each project starting from a general philosophy, from central arguments.” He tells us that, in general, there are two options for creating the identity of each product. The first option creates a winery storytelling, and the second one enhances the specific profile of each product, because in each product there is a wine concept, a territorial concept…. For each product there will be a more particular piece.


After putting ourselves in the situation, he tells us that, in order to start the process, it is necessary to understand what is behind of that particular product, talking with Sara, of course. And talking with her, he received several ideas, insights… which were the central pillars of the project:

  • Imperfection: imperfection, related to the way the idea of Ranci Dolç of Martinet was born, when Sara was little, and she tried a sweet rancio wine from Escaladei… Trying to copy that idea… that feeling… “how something apparently imperfect can hold so much beauty.”
  • Being outside the rules, as an exception, whether it is in the world of wine, or in general. This means creating a unique profile, even with respect to design, set the difference between what you do and what the other people do. “This is what you do at Mas Martinet, you work hard speaking of the concept or what you intend to do.” And that must be reflected in a label because, if the product followed the rules too much, we were including it in a collection of very standardised products.
  • The idea of time. We are talking about a product which is not the reflex of a specific harvest or fermentation process. It is a product with a very long, extensive timeframe… because the vintages are very old, and after having gone through different procedures, at a given time, “it is bottled… Therefore, it should not be a contemporary product, because it talks about very old concepts.” This time concept should be included in the design.
    Having these three main concepts into account, there was another question. The specific visual tradition that this kind of rancio, sweet wines… use to have. The golden tones… images with a strange part, “they aren’t usually products with predominance of elegance or rigour in their design. They tend to be very vintage or old items.”
    And in this context, we start working. In order to start a project, Joan Josep and his team create visual ideas, inspired by “existing referents in order to configurate a piece which works in the same symbolic universe, but which is different.” In this case, the process was slightly different, because the product was so special that there wasn’t any similar context or “we couldn’t find it,” says “Joanji”. They started designing, and then they realised that the project could be explained through the design. Letters getting bigger and smaller, letters which, in a very abstract but precise way, explain the vintage system, the pouring process from the big barrel into the small barrel, the decantation process… like a visual game which let us create a big identity. A stepped design which explained the nature of the product and its production. And also choosing a special font “when we talk about non-precision, we are talking about non-precision in a very precise way, we know well, you and us, we know well what we are doing.” A font designed not long ago, but which looks back and let them encapsulate this concept.
    “A friend of mine, whom I love very much, with whom I studied, one day, he was looking at us while we were working, […] and he told me: ‘You do the opposite of what a lot of people do, which is trying to summarise a very simple idea so that it is understood very quickly.’ He said: ‘What you do is a semantic haze, or… semantic clouds… And these semantic clouds are like a group of ideas… like vectors at many levels, where there is the wine culture, the territory, your personality, or Josep Lluis’s and Montse’s personalities…. there are a thousand layers, and what you try, when you are making a piece, is to have a general representation of all this’.”
    The composition process began: font, images, colour… “Talking about colours, […] we also worked with weird, bright colours, a curious chromatic combination.”
    After a first wave of sketches, Sara asked me to go deeper, and then a second wave came, which produced the piece as it is now, as we know it today.
    Another distinctive feature of the project was that, as the print run was very short, the same label size should work for two different-sized bottles. And this is how this problem was solved.
    “The piece has a risk factor. It is daring from an historical approach, from an interpretation… which is finally filtered by us. It is as if you represented a label which was designed 80 years ago by contemporary people. In the end, it is like an imaginary person, but it is also what you are doing in the winery, which is […] or you try to think about those wines from 100 or 120 years ago which didn’t reach you because they weren’t bottled… but you can imagine, in the winery, how they were made, which expression they could have […] or you want to reproduce them nowadays.
    After all, a label design “is like a cocreation between the winery and us […]. We don’t have the answer to everything. We pave the way so that, with your own eyes, we can get further… We are the messengers of your message, interpreters. We don’t invent, we create on your own creation.”

Thank you, Joan Josep Bertran, for taking the time to talk with us.

 

Categories
Uncategorised

RANCI DOLÇ: ELABORATION

RANCI DOLÇ: ELABORATION

How do we produce our Ranci Dolç?

The Ranci Dolç of Mas Martinet is a naturally sweet wine (without added sugar or alcohol) 100% made with Garnatxa Negra. This Garnacha comes from the big terrace that we have here, in front of the winery. We don’t use our vintage every year to produce rancio wine, but we do it in the hottest years, if it is possible. We harvest the grapes with around 15º of alcohol, and we put them on wicker beds, in the shade, in order to let them dry slowly, between 7 and 21 days. All this process is done to get dehydrated grapes, with a high sugar content, and therefore, a natural sweet wine.

Once the grapes are dehydrated, we squash them, and we let them ferment with their natural yeasts for a couple of months. Then, we press them, and we put them in demijohns or in a barrel, where the fermentation process will slowly continue until its completion in the next year (it will remain approximately 80 g/l of sugar). When this process is completed, we refill the first old barrels of the winery, barrels that we have gathered one by one around Priorat. These barrels come from Torroja, El Molar, Gratallops… and most of them have been gathered because their original owners had forgotten them in their houses, and they didn’t use them. There, inside the barrels, these fermented grapes will be blended with an older wine (the first one dates from 1994) and with the centenary mothers, which are responsible for turning the sweet wine into a fine, elegant and creamy rancio wine. Every year, during the old moon of January, we refill the barrels (*ras de carretells) with rancio wines, beginning with the oldest one, like in the solera process.

When bottling, we only bottle a third part of the wine that we have inside the first barrel. As if it was a sherry, we only bottle a part that we indicate later on the label. We always leave a remaining part of the wine inside the barrels in order to completely fill them with a younger wine, which comes from another barrel, and we keep on working with the solera process until we get to the barrel which contains the most recent wine.

The first bottling of this wine was done in 2017, with more than 22 years of ageing, and now we have already done the second one…
It is a wine which specially requires calm, rest and serenity in order to enjoy it with full awareness.

*Ras de carretells: in contrast with traditional soleras, in Priorat, the barrels or carretells are put only in a horizontal position, without blending.

Categories
Uncategorised

RANCI DOLÇ DE MARTINET

RANCI DOLÇ DE MARTINET

I come from the south, from a warm territory, a territory rich in history.

I was ten years old when I tried a ranci wine for the first time. I went with my father to a meeting with Assumpció Peyra from Escaladei. From the physical and emotional height of childhood, the wine cellar looked old, humid, dark and cold, and the lively discussions between Assumpció and my father were like aggressive elements. I was scared and too bored. After a while, which felt like an eternity, Assumpció invited us to visit la Sala dels Àngels (“the Angels Room”). It was an exciting space, even older than the rest of the wine cellar, and which emitted the emanations and scents from other generations: the room of rancio wines. She let me try a barrel of 1964, a sweet ranci wine. I fell in love with it, it took my fear away, it cheered me up, and it made me feel like home, protected.

I thought that, if one day I was going to be in the wine production business, I would make a wine like that one.

In the summer of 1995, already working in Mas Martinet and helping my father, I stayed for some months in the Peralada Castle preparing the new wine laboratory. During the long summer afternoons of July, I went for a walk around the vineyards of Pau, Garriguella and nearby just to not lose contact with a nature that, for me, was necessary and addictive. I went to visit a peasant farmer with whom I talked about life, about the profession and about memory, and the last day of my stay in Empordà, he came to say goodbye to me with a special bottle from his winery.

It was a sweet rancio wine. Once again, I felt protected, caressed by many generations. I felt like home.

I remembered the promise made in Escaladei in November of 1982. Then, that September of 1995, the Martinet Ranci Dolç was born, but I wasn’t aware of it yet.

Almost 20 years have gone by to show us, maybe our less representative wine as a wine company, but which carries the soul and the history of Priorat.

Rancio wines are wines made to receive, to thank, to share. We put them on the table for Festa Major, for harvests celebrations, for the birth of a child, and we can enjoy them because many generations have taken care of that first barrel.

Being successors of a long history which represents us makes us feel more rooted and able to thank and pay tribute to those generations that have made it possible for us to be here today.

Sara Pérez
Mas Martinet

Categories
Uncategorised

OXIDATIVE WINES

OXIDATIVE WINES

When we think about wine, whether as a consumer, producer, sommelier, portfolio manager, buyer, or simply as a wine enthusiast, many of us think of white wines, red wines, sparkling wines, rosés… and, finally, maybe we would also add a small box or give a little space to “special” wines, which would include sweet wines, rancio wines, fortified wines, etc.

During the last 40 years, there have been several revolutions in the world of wine industry, one after another with a speed which is hard to “tolerate” in an industry where decisions are mostly made taking our children’s profits into account. The arrival of fruit wines, grape juice concentrates, new types of wood, international varieties, vine training in the vineyards, high technology, etc., displaced a more refined, softener, with less fruit concentration and less lush type of wine. In short, it seemed that the great classic wines, even from Bordeaux, Burgundy, Rioja, Jerez and Oporto, had been forgotten by a large number of consumers. Immediacy and sort-term impact had prevailed. In recent years, with the return to local varieties, traditional pruning systems, balanced wines and more respectful ageing processes, there has also been a demand for local products, regional combinations and local products consumption. Now, we embrace white wines macerated with the grape skins. These wines have even brought a new colour to wine lists. We are not surprised by aged rosés and disgorged sparkling wines, and what was considered a mistake and/or an imperfection by a lot of people, nowadays we see it rather as a virtue and a unique quality.

Is exactly in time, mistakes and imperfections variables where “oxidative” wines feel comfortable, whether they are made with the skins, aged sweet wines, dry rancio wines, wines exposed to day and night (sol i serena), or a mix of different vintages. White wines, red wines and rosés with endless ageing, complex and animal bouquets, high volatile compounds, etc., but which require patience when cooking, eating, and especially long table talks in order to explain us their whole story in every drop, in every sip. However, above all, they require tolerance, acceptance, and to be open-minded in order to get rid of the idea of imperfections and mistakes, and open ourselves to the rich heritage left by history and local traditions over time.

We need to find in our daily life that moment to think, read, talk with other people, observe, and accompany it with a glass of this rich heritage left by all the vine-growers and wine producers around this region. But, above all, I would like to stand up for all the Mediterranean oxidative wines. I think, not knowing if it is right or wrong, that is exactly in this great area with its special light where these wines can tell us about tradition, about time, about history, and specially about passion. Because… who said oxidation is an imperfection?

Roger Valls
Mas Martinet
 

Nuestra web usa cookies para mejorar la experiencia de usuario y le recomendamos aceptar su uso para aprovechar plenamente la navegación.